RESET II AND FUTURISM
Sep 3, 2016 – Jan 21, 2017
Aleksandra Domanovic’s sculptures and video expand the scope of conventional technological history by illuminating feminist, cyberfeminist, and Eastern European contributions to the development of science and the Internet. Born in the former Yugoslavia but now based in Berlin, Domanoviç builds on the notion that Ada Lovelace was the first computer programmer and that the history of computing is inherently feminist. A recurring feature in her videos, prints, and modeled sculptures is the hand, which functions as a reference to the 1963 Belgrade Hand, an important development in the history of controllable prosthetics. This motif also alludes to early 1990s cyberfeminism, which was invested in the notion of the cyborg as a utopian feminist figure.
Studium
2000-2001 Faculty of Architecture, University of Ljubljana, Slovenia
2001-2006 University of Applied Arts, Vienna
Duo / Einzelausstellungen (Auswahl)
2018 MOCA Cleveland, Cleveland (forthcoming)
2017 Kalbträgerin, Bundeskunsthalle, Bonn
2017 Votives, Henry Moore Institute, Leeds
2016 Bulls Without Horns, Tanya Leighton, Berlin
2016 Mother of This Domain, Oakville Galleries, Oakville
2015 Aleksandra Domanoviπ: Mother of This Domain, Plug In ICA, Winnipeg
2015 Aleksandra Domanoviπ: Identity Crisis, High Line Art, New York Aleksandra Domanoviπ, Atlanta Contemporary Art Center, Georgia
2015 Hotel Marina Lučica, Art Space Pythagorion, Schwarz Foundation, Samos
2015 Sensory Spaces 7, Museum Boijmans Van Beuningen, Rotterdam
2015 Anhedonia, Cinémathèque Robert Lynen, Paris (screening)
2014 Aleksandra Domanoviπ, Kunstverein Hildesheim, Germany
2014 Aleksandra Domanoviπ: From yu to me, P74, Ljubljana
2014 Glasgow International 2014, Gallery of Modern Art, Glasgow
2014 Aleksandra Domanoviπ, firstsite, Colchester
2014 19:30, Passerelle Centre d’art contemporain, Brest, France
2013 Art Basel Miami Beach (with Oliver Laric)
2013 LISTE 18, Basel (with Calla Henkel and Max Pitegoff)
2013 The Future Was at Her Fingertips, Tanya Leighton, Berlin
2012 Turbo Sculpture, SPACE, London
2012 Frieze New York: Focus (with Oliver Laric)
2012 Aleksandra Domanoviπ & Oliver Laric, Villa du Parc – Centre d’art
Contemporain Annemasse
2012 From yu to me (curated
2012 Aleksandra Domanoviπ &
2012 Monclova, Mexico D.F.
2012 Aleksandra Domanoviπ, Künstlerhaus Bethanien, Berlin
2011 19:30, Galerija 001, Ljubljana
2011 山寨 (Shanzai) TURBO (with Oliver Laric), Western Front, Vancouver
2010 Aleksandra Domanović And Oliver Laric, Société, Berlin
Gruppenausstellungen (Auswahl)
2017 Artificial Tears, MAK Museum für angewandte Kunst, Vienna
2017 I Scream, You Scream, We All Scream For Ice Cream, Fondazione Baruchello, Roma
2017 Hybrid Layers, ZKM Center for Art and Media, Karlsruhe
2017 AIDS, nach einer wahren Begebenheit / SIDA. Inspiré de faits réels
2017 Musée international de la Croix-Rouge et du Croissant-Rouge, Geneva Cult!, Zeppelin Museum Friedrichshafen, Friedrichshafen
2016 JUMP, CAC Brétigny, Brétigny-sur-Orge
2016 No Goddess of Memory, MAGMA Contemporary Art Space, Saint George, Romania
2016 Reset II and Futurism, Priska Pasquer, Cologne
2016 What People Do For Money: Some Joint Ventures, Manifesta 11, Zurich Energy Flash, Museum van Hedendaagse Kunst, Antwerpen
2016 Emotional Supply Chains, Zabludowicz Collection, London
2016 Ordinary Pictures, Walker Art Center, Minneapolis
2016 Secret Agent, Guest Projects, London
2016 Electronic Superhighway, Whitechapel Gallery, London
2016 Prototypology – An Index of Process and Mutation, Gagosian Gallery, Rome
2016 Crises and New Beginnings: Art in Slovenia 2005–2015, Museum of Contemporary Art Metelkova, Ljubljana
2015 Hecker Leckey Sound Voice Chimera, MoMA PS1, New York
2015 10, Chambres à part, Paris
2015 Technologism, Monash University Museum of Art, Melbourne
2015 “Whatever you built could be taken apart”: Image / Order, || \ NAB Nassauischer Kunstverein Wiesbaden
2015 AIDS: Based on a true story, Deutsches Hygiene-Museum, Dresden
2015 GLOBAL: Infosphere, Center for Art and Media Karlsruhe (ZKM), Karlsruhe
2015 Concentrations 59: Mirror Stage—Visualizing the Self After the Internet, Dallas Museum of Art, Texas
2015 Them, Schinkel Pavillon, Berlin
2015 ars viva 2014/15, Grazer Kunstverein, Graz
2015 Web We Want, Southbank Centre, London
2015 Whose Subject am I?, Kunstverein Düsseldorf L’usage des forms, Palais de Tokyo, Paris
2015 History is a Warm Gun, Neuer Berliner Kunstverein Moment!, Kunstverein Goettingen
2015 ars viva 2014/15, Bonner Kunstverein, Bonn
2015 From yu to me, MK Gallery, Buckinghamshire (screening) Triennial: Surround Audience, New Museum, New York
2015 Les Oracles, XPO Gallery, Paris
2015 The Future Of Memory, Kunsthalle Wien
2015 Beyond the Monument, Bâtiment d’art contemporain, Geneva
2014 Shanghai Biennale, Shanghai
2014 ars viva 2014/15, Hamburger Kunsthalle
2014 Megarave, Kunsthaus Langenthal, Switzerland
2014 Popcorn, Pepsi, Petabytes, CCS Bard, New York
2014 Call me on Sunday, Krinzinger Projekte, Vienna
2014 Art Post-Internet, Ullens Center for Contemporary Art, Beijing Monumenti, Atelier Interdisciplinaire de Recherche – AIR, Geneva 2014 Smart New World, Kunsthalle Düsseldorf
2014 Hyper-resemblances, Miriam and Ira D. Wallach Art Gallery, Columbia University, New York
2014 Now Showing, Carroll / Fletcher, London
2014 The Cardboard Lover, American Contemporary, New York
2013 …Was ist Kunst?…, Künstlerhaus, Halle für Kunst & Medien, Graz
2013 Speculations on Anonymous Materials, Fridericianum, Kassel
2013 Meanwhile, Suddenly and Then, 12th Biennale de Lyon (new commission)
2013 The Second Lore, CUAC Contemporary Art Center, Salt Lake City
2013 U3-7 TriennialofContemporaryArtinSlovenia,ModernaGalerija Museum, Ljubljana
2013 Infinite Inclusion, Jessica Silverman Gallery, San Francisco
2013 Rematerialized, New Gallery, Paris
2013 A Different Kind of Order, ICP Triennial, New York Berlin.Status2, Künstlerhaus Bethanien, Berlin
2013 Digital Infinity, Jessica Silverman Gallery, San Francisco
2013 Born This Way, Galleria Monica De Cardenas, Milan
2013 Out Of Memory, Marianne Boesky, New York
2013 Found in Translation, Chapter M, Thalie Art Foundation, Brussels How to tell a Story, Depo, Istanbul
2013 Repeated Affinity, MOT International, Brussels
2012 Resonance and Repetition, Elizabeth Foundation for the Arts, EFA Project Space, New York
2012 La puerta hacia lo invisible debe ser visible, La Casa del Lago, México IRL, Western Front, Vancouver
2012 Odd Poetics, Biennial of Young Artists, Bucharest
2012 Collect the WWWorld, 319 Scholes, New York
2012 Lux Biennial of Moving Image, Tramway, Glasgow
2012 The Petrified River, Lukas Feichtner Gallery, Vienna
2012 How to Eclipse the Light, Wilkinson Gallery, London
2012 Liam Gillick: 199A-199B, CCS Bard Hessel Museum
2012 Cantastoria, Utah Museum of Contemporary Art, Salt Lake City
2012 The Best Of Times, The Worst Of Times – Rebirth And Apocalypse In Contemporary Art, Arsenal, The First Kyiv Biennale, Kyiv
2012 Remote Control, ICA, London
2012 Who Told You So?!, Onomatopee, Eindhoven
2012 E-vapor-8, 319 Scholes, New York
2012 Higher Atlas, Marrakech Biennale 4th Edition, Marrakech
2012 Hello? I forgot my mantra, Clifton Benevento, New York
2012 In Practice, SculptureCenter, New York
2012 Peer One, the Walters, Baltimore
2012 Letter, INCA, Detroit
2012 Face Time, On Stellar Rays, New York
2011 Banal Inferno, CCA Glasgow
2011 History as an Object (screening), Dundee Contemporary Arts, Dundee HOTAVANTGARDEHOTHOT, Oslo 10, Basel
2011 Collect the WWWorld. The Artist as Archivist in the Internet Age, Spazio Contemporanea, Brescia
2011 10×10: Please Close Your Eyes, The European Culture Congress, Wrocław Facts about the Past, extra extra gallery, Philadelphia
2011 Not to be Confused, von cirne, Cologne
2011 Grouped Show, Tanya Leighton, Berlin
2011 Les Cadeaux Du Présent, Centré d’art Nechâtel, Switzerland
2011 Imaginebeingherenow,The6 MomentumBiennial2011,Moss,Norway
2011 based in Berlin, n.b.k., Berlin
2011 255.804 km2, Brotkunsthalle, Vienna
2011 A Painting Show, Autocenter, Berlin
2011 Offline, Temple Bar Gallery & Studio, Dublin
2011 Science Fiction, OR Gallery, Berlin
2011 Cloud Sounds, NIMK, Amsterdam
2011 Work Makes The Work, Eisentrager-Howard Gallery, University of Nebraska
2010 Free, New Museum, New York Liberty B, Open Space Baltimore
2010 Surfing Club, Expace Multimedia Gantner, Bourogne
2010 Übersetzung ist eine form.translation is a mode, Kunstraum NOE, Vienna From Abstract to Activism, Eternal Tour, Jerusalem
2010 255.804km2, City Art Museum, Ljubljana, Slovenia
2010 Videodrome, Galerie Feinkost, Berlin
2010 Videodrome, Autocenter, Berlin
2010 Antifoto, Kunstraum Düsseldorf
2010 Noise Not Noise, The Western Front, Vancouver
2010 Surfing Club, Plug.in, Basel
2010 Bidoun Magazine Video Screening, Art Dubai, Dubai
2010 Real Talk, Gallery Seventeen, London
2009 Session_7_Words, Am Nuden Da, London Image Search, P.P.O.W. Gallery, New York
2009 Padiglione Internet, collateral event of the 53rd Venice Biennale, S.A.L.E, Venice
2009 Distributed Gallery, Telic, Los Angeles
2009 The Real Thing, MU, Eindhoven, Netherlands
2009 Ours: Democracy in the Age of Branding, The Sheila C. Johnson Design
2009 Center, New York
2008 Tomorrow is Humourless, Stedelijk Museum Bureau Amsterdam (SMBA),Amsterdam
2008 Shift, Electronic Arts Festival 08, Basel
2008 Videomedeja, The Museum of Vojvodina, Novi Sad
2008 OURS: Democracy in the Age of Branding, Sheila C. Johnson Design Center, New York City
2008 OHO award, Galerija P74, Ljubljana
2007 Ursula Blickle Videopreis 2007, Kunsthalle Wien, Vienna Projections Series: Darren Almond and Music Video, Musée d‘art
2007 Contemporain de Montréal
2007 The Birds Eye View, The Barbican, London
2007 Second Nature (Two Nights of Film Projection), Fette‘s Gallery, Los Angeles
2007 Interfilm 23. international short film festival, Berlin
2006 Wired Women of Whitechapel, Whitechapel Gallery, London Nemaf (Seoul New Media Festival), Seoul
2006 Chicago Underground Film Festival, Chicago
Online-Ausstellungen (Auswahl)
2013 Decenter, Armory (http://decenterarmory.com/network/)
2010 Noise Not Noise (http://front.nfshost.com/noisenotnoise/),
2010 The Western Front
2009 Nobelprize, www.nobelprize.no
2009 Xth Lyon Biennale (website) curated by Tolga Taluy, www.mybiennialisbetterthanyours.com
2009 The Painting Show, Gallery Art Since The Summer of 69, Private Circulation PDF
2008 First Selection, curated by Harm van den Dorpel, www.clubinternet.org Oracle, www.clubinternet.org
2008 Contact (1997), www.clubinternet.org
2008 Le Mur Dans Le Miroir (vidéos pour l‘art contemporain), lemurdanslemiroir.fr
Auszeichnungen
2014 ars viva 2014/15, Kulturkreis der deutschen Wirtschaft, Berlin Die Kulturverwaltung des Berliner Senats scholarship
2009 Rhizome Commissions Program 2009, Rhizome at the New Museum, New York
2008 OHO award (finalist), Ljubljana, Slovenia
2007 Ursula Blickle video award (finalist), Kunsthalle Wien, Vienna
Veröffentlichungen
The Reluctant Narrator, Ed. Ana Teixeira Pinto, (Museu Coleção Berardo: Sternberg Press, 2014)
From yu to me, Ed. Michelle Cotton, Aleksandra Domanoviπ, (Colchester: firstsite, 2014)
19:30, Ed. Michelle Cotton, Aleksandra Domanoviπ, (Colchester: firstsite, 2014)
Art and the Internet, Ed. Phoebe Stubbs, (London: Black Dog Publishing Ltd., 2014)
12th Lyon Biennale – Meanwhile… Suddently and Then, Ed. Thomas Boutoux, Nicolas Garait, Danielle Kvaran, Gunnar B. Kvaran, and Thierry Raspail, (Dijon: les presses du réel, 2013)
A Different Kind of Order: The ICP Triennial, Ed. Joanna Lehan, Kristen Lubben, Carol Squiers, (New York: Prestel, 2013) Berlin.Status 2, Ed. Sven Drühl, Christoph Tannert, (Berlin: Künstlerhaus Bethanien, 2013)
Higher Atlas: The Marrakech Biennale in Context, Ed. Carson Chan, Nadim Samman, (Berlin: Sternberg Press, 2012)
The Kiev Biennale catalogue, Ed. P. Gielen, A. Spiegl, (2012)
Collect the WWWorld. The Artist as Archivist in the Internet Age, Ed. Domenico Quaranta, Gene McHugh, Joanne McNeil, Josephine Bosma, (LINK
Editions, 2011)
Angelique Campens, Fredi Fischli, Based in Berlin, (Koln: Walther König, 2011)
Markús Þór Andrésson, Christian Skovbjerg Jensen, Theodor Ringborg, Aura Seikkula, Marianne Zamecznik, Momentum READER & Momentum REMINDER, Imagine Being Here Now, (Milan: Mousse publishing, 2011)
Sabine Hochrieser, Michael Kargl, Birgit Rinagl, Franz Thalmair, Content Form Im-material, (Nuernberg: CONT3XT.NET: Verlag für moderne Kunst Nuernberg, 2011)
Free, (New York: The New Museum, 2010)
Free (online catalogue), Lauren Cornell, Brian Droitcour, Caterina Fake, Ceci Moss, Ed Halter, and Joanne McNeil, (http://www.newmuseum.org/free/, 2010)
Translation is a Mode: Übersetzung ist eine Form, CONT3XT.NET, (Niederösterreich: Kunstraum Niederösterreich, 2010)
New Museum of Contemporary Art, NY, Younger Than Jesus Artist Directory: The Essential Handbook to a New Generation of Artists, Ed. Lauren Cornell, Massimiliano Gioni, Laura Hoptman (London, New York: Phaidon, 2009)
Press DE
Aleksandra Domanovic’s sculptures and video expand the scope of conventional technological history by illuminating feminist, cyberfeminist, and Eastern European contributions to the development of science and the Internet. Born in the former Yugoslavia but now based in Berlin, Domanoviç builds on the notion that Ada Lovelace was the first computer programmer and that the history of computing is inherently feminist. A recurring feature in her videos, prints, and modeled sculptures is the hand, which functions as a reference to the 1963 Belgrade Hand, an important development in the history of controllable prosthetics. This motif also alludes to early 1990s cyberfeminism, which was invested in the notion of the cyborg as a utopian feminist figure.
Education
2000-2001 Faculty of Architecture, University of Ljubljana, Slovenia
2001-2006 University of Applied Arts, Vienna
Solo exhibitions (selection)
2018 MOCA Cleveland, Cleveland (forthcoming)
2017 Kalbträgerin, Bundeskunsthalle, Bonn
2017 Votives, Henry Moore Institute, Leeds
2016 Bulls Without Horns, Tanya Leighton, Berlin
2016 Mother of This Domain, Oakville Galleries, Oakville
2015 Aleksandra Domanoviπ: Mother of This Domain, Plug In ICA, Winnipeg
2015 Aleksandra Domanoviπ: Identity Crisis, High Line Art, New York Aleksandra Domanoviπ, Atlanta Contemporary Art Center, Georgia
2015 Hotel Marina Lučica, Art Space Pythagorion, Schwarz Foundation, Samos
2015 Sensory Spaces 7, Museum Boijmans Van Beuningen, Rotterdam
2015 Anhedonia, Cinémathèque Robert Lynen, Paris (screening)
2014 Aleksandra Domanoviπ, Kunstverein Hildesheim, Germany
2014 Aleksandra Domanoviπ: From yu to me, P74, Ljubljana
2014 Glasgow International 2014, Gallery of Modern Art, Glasgow
2014 Aleksandra Domanoviπ, firstsite, Colchester
2014 19:30, Passerelle Centre d’art contemporain, Brest, France
2013 Art Basel Miami Beach (with Oliver Laric)
2013 LISTE 18, Basel (with Calla Henkel and Max Pitegoff)
2013 The Future Was at Her Fingertips, Tanya Leighton, Berlin
2012 Turbo Sculpture, SPACE, London
2012 Frieze New York: Focus (with Oliver Laric)
2012 Aleksandra Domanoviπ & Oliver Laric, Villa du Parc – Centre d’art
Contemporain Annemasse
2012 From yu to me (curated
2012 Aleksandra Domanoviπ &
2012 Monclova, Mexico D.F.
2012 Aleksandra Domanoviπ, Künstlerhaus Bethanien, Berlin
2011 19:30, Galerija 001, Ljubljana
2011 山寨 (Shanzai) TURBO (with Oliver Laric), Western Front, Vancouver
2010 Aleksandra Domanović And Oliver Laric, Société, Berlin
Group exhibitions (selection)
2017 Artificial Tears, MAK Museum für angewandte Kunst, Vienna
2017 I Scream, You Scream, We All Scream For Ice Cream, Fondazione Baruchello, Roma
2017 Hybrid Layers, ZKM Center for Art and Media, Karlsruhe
2017 AIDS, nach einer wahren Begebenheit / SIDA. Inspiré de faits réels
2017 Musée international de la Croix-Rouge et du Croissant-Rouge, Geneva Cult!, Zeppelin Museum Friedrichshafen, Friedrichshafen
2016 JUMP, CAC Brétigny, Brétigny-sur-Orge
2016 No Goddess of Memory, MAGMA Contemporary Art Space, Saint George, Romania
2016 Reset II and Futurism, Priska Pasquer, Cologne
2016 What People Do For Money: Some Joint Ventures, Manifesta 11, Zurich Energy Flash, Museum van Hedendaagse Kunst, Antwerpen
2016 Emotional Supply Chains, Zabludowicz Collection, London
2016 Ordinary Pictures, Walker Art Center, Minneapolis
2016 Secret Agent, Guest Projects, London
2016 Electronic Superhighway, Whitechapel Gallery, London
2016 Prototypology – An Index of Process and Mutation, Gagosian Gallery, Rome
2016 Crises and New Beginnings: Art in Slovenia 2005–2015, Museum of Contemporary Art Metelkova, Ljubljana
2015 Hecker Leckey Sound Voice Chimera, MoMA PS1, New York
2015 10, Chambres à part, Paris
2015 Technologism, Monash University Museum of Art, Melbourne
2015 “Whatever you built could be taken apart”: Image / Order, || \ NAB Nassauischer Kunstverein Wiesbaden
2015 AIDS: Based on a true story, Deutsches Hygiene-Museum, Dresden
2015 GLOBAL: Infosphere, Center for Art and Media Karlsruhe (ZKM), Karlsruhe
2015 Concentrations 59: Mirror Stage—Visualizing the Self After the Internet, Dallas Museum of Art, Texas
2015 Them, Schinkel Pavillon, Berlin
2015 ars viva 2014/15, Grazer Kunstverein, Graz
2015 Web We Want, Southbank Centre, London
2015 Whose Subject am I?, Kunstverein Düsseldorf L’usage des forms, Palais de Tokyo, Paris
2015 History is a Warm Gun, Neuer Berliner Kunstverein Moment!, Kunstverein Goettingen
2015 ars viva 2014/15, Bonner Kunstverein, Bonn
2015 From yu to me, MK Gallery, Buckinghamshire (screening) Triennial: Surround Audience, New Museum, New York
2015 Les Oracles, XPO Gallery, Paris
2015 The Future Of Memory, Kunsthalle Wien
2015 Beyond the Monument, Bâtiment d’art contemporain, Geneva
2014 Shanghai Biennale, Shanghai
2014 ars viva 2014/15, Hamburger Kunsthalle
2014 Megarave, Kunsthaus Langenthal, Switzerland
2014 Popcorn, Pepsi, Petabytes, CCS Bard, New York
2014 Call me on Sunday, Krinzinger Projekte, Vienna
2014 Art Post-Internet, Ullens Center for Contemporary Art, Beijing Monumenti, Atelier Interdisciplinaire de Recherche – AIR, Geneva 2014 Smart New World, Kunsthalle Düsseldorf
2014 Hyper-resemblances, Miriam and Ira D. Wallach Art Gallery, Columbia University, New York
2014 Now Showing, Carroll / Fletcher, London
2014 The Cardboard Lover, American Contemporary, New York
2013 …Was ist Kunst?…, Künstlerhaus, Halle für Kunst & Medien, Graz
2013 Speculations on Anonymous Materials, Fridericianum, Kassel
2013 Meanwhile, Suddenly and Then, 12th Biennale de Lyon (new commission)
2013 The Second Lore, CUAC Contemporary Art Center, Salt Lake City
2013 U3-7 TriennialofContemporaryArtinSlovenia,ModernaGalerija Museum, Ljubljana
2013 Infinite Inclusion, Jessica Silverman Gallery, San Francisco
2013 Rematerialized, New Gallery, Paris
2013 A Different Kind of Order, ICP Triennial, New York Berlin.Status2, Künstlerhaus Bethanien, Berlin
2013 Digital Infinity, Jessica Silverman Gallery, San Francisco
2013 Born This Way, Galleria Monica De Cardenas, Milan
2013 Out Of Memory, Marianne Boesky, New York
2013 Found in Translation, Chapter M, Thalie Art Foundation, Brussels How to tell a Story, Depo, Istanbul
2013 Repeated Affinity, MOT International, Brussels
2012 Resonance and Repetition, Elizabeth Foundation for the Arts, EFA Project Space, New York
2012 La puerta hacia lo invisible debe ser visible, La Casa del Lago, México IRL, Western Front, Vancouver
2012 Odd Poetics, Biennial of Young Artists, Bucharest
2012 Collect the WWWorld, 319 Scholes, New York
2012 Lux Biennial of Moving Image, Tramway, Glasgow
2012 The Petrified River, Lukas Feichtner Gallery, Vienna
2012 How to Eclipse the Light, Wilkinson Gallery, London
2012 Liam Gillick: 199A-199B, CCS Bard Hessel Museum
2012 Cantastoria, Utah Museum of Contemporary Art, Salt Lake City
2012 The Best Of Times, The Worst Of Times – Rebirth And Apocalypse In Contemporary Art, Arsenal, The First Kyiv Biennale, Kyiv
2012 Remote Control, ICA, London
2012 Who Told You So?!, Onomatopee, Eindhoven
2012 E-vapor-8, 319 Scholes, New York
2012 Higher Atlas, Marrakech Biennale 4th Edition, Marrakech
2012 Hello? I forgot my mantra, Clifton Benevento, New York
2012 In Practice, SculptureCenter, New York
2012 Peer One, the Walters, Baltimore
2012 Letter, INCA, Detroit
2012 Face Time, On Stellar Rays, New York
2011 Banal Inferno, CCA Glasgow
2011 History as an Object (screening), Dundee Contemporary Arts, Dundee HOTAVANTGARDEHOTHOT, Oslo 10, Basel
2011 Collect the WWWorld. The Artist as Archivist in the Internet Age, Spazio Contemporanea, Brescia
2011 10×10: Please Close Your Eyes, The European Culture Congress, Wrocław Facts about the Past, extra extra gallery, Philadelphia
2011 Not to be Confused, von cirne, Cologne
2011 Grouped Show, Tanya Leighton, Berlin
2011 Les Cadeaux Du Présent, Centré d’art Nechâtel, Switzerland
2011 Imaginebeingherenow,The6 MomentumBiennial2011,Moss,Norway
2011 based in Berlin, n.b.k., Berlin
2011 255.804 km2, Brotkunsthalle, Vienna
2011 A Painting Show, Autocenter, Berlin
2011 Offline, Temple Bar Gallery & Studio, Dublin
2011 Science Fiction, OR Gallery, Berlin
2011 Cloud Sounds, NIMK, Amsterdam
2011 Work Makes The Work, Eisentrager-Howard Gallery, University of Nebraska
2010 Free, New Museum, New York Liberty B, Open Space Baltimore
2010 Surfing Club, Expace Multimedia Gantner, Bourogne
2010 Übersetzung ist eine form.translation is a mode, Kunstraum NOE, Vienna From Abstract to Activism, Eternal Tour, Jerusalem
2010 255.804km2, City Art Museum, Ljubljana, Slovenia
2010 Videodrome, Galerie Feinkost, Berlin
2010 Videodrome, Autocenter, Berlin
2010 Antifoto, Kunstraum Düsseldorf
2010 Noise Not Noise, The Western Front, Vancouver
2010 Surfing Club, Plug.in, Basel
2010 Bidoun Magazine Video Screening, Art Dubai, Dubai
2010 Real Talk, Gallery Seventeen, London
2009 Session_7_Words, Am Nuden Da, London Image Search, P.P.O.W. Gallery, New York
2009 Padiglione Internet, collateral event of the 53rd Venice Biennale, S.A.L.E, Venice
2009 Distributed Gallery, Telic, Los Angeles
2009 The Real Thing, MU, Eindhoven, Netherlands
2009 Ours: Democracy in the Age of Branding, The Sheila C. Johnson Design
2009 Center, New York
2008 Tomorrow is Humourless, Stedelijk Museum Bureau Amsterdam (SMBA),Amsterdam
2008 Shift, Electronic Arts Festival 08, Basel
2008 Videomedeja, The Museum of Vojvodina, Novi Sad
2008 OURS: Democracy in the Age of Branding, Sheila C. Johnson Design Center, New York City
2008 OHO award, Galerija P74, Ljubljana
2007 Ursula Blickle Videopreis 2007, Kunsthalle Wien, Vienna Projections Series: Darren Almond and Music Video, Musée d‘art
2007 Contemporain de Montréal
2007 The Birds Eye View, The Barbican, London
2007 Second Nature (Two Nights of Film Projection), Fette‘s Gallery, Los Angeles
2007 Interfilm 23. international short film festival, Berlin
2006 Wired Women of Whitechapel, Whitechapel Gallery, London Nemaf (Seoul New Media Festival), Seoul
2006 Chicago Underground Film Festival, Chicago
Online exhibitions (selection)
2013 Decenter, Armory (http://decenterarmory.com/network/)
2010 Noise Not Noise (http://front.nfshost.com/noisenotnoise/),
2010 The Western Front
2009 Nobelprize, www.nobelprize.no
2009 Xth Lyon Biennale (website) curated by Tolga Taluy, www.mybiennialisbetterthanyours.com
2009 The Painting Show, Gallery Art Since The Summer of 69, Private Circulation PDF
2008 First Selection, curated by Harm van den Dorpel, www.clubinternet.org Oracle, www.clubinternet.org
2008 Contact (1997), www.clubinternet.org
2008 Le Mur Dans Le Miroir (vidéos pour l‘art contemporain), lemurdanslemiroir.fr
Awards
2014 ars viva 2014/15, Kulturkreis der deutschen Wirtschaft, Berlin Die Kulturverwaltung des Berliner Senats scholarship
2009 Rhizome Commissions Program 2009, Rhizome at the New Museum, New York
2008 OHO award (finalist), Ljubljana, Slovenia
2007 Ursula Blickle video award (finalist), Kunsthalle Wien, Vienna
Publications
The Reluctant Narrator, Ed. Ana Teixeira Pinto, (Museu Coleção Berardo: Sternberg Press, 2014)
From yu to me, Ed. Michelle Cotton, Aleksandra Domanoviπ, (Colchester: firstsite, 2014)
19:30, Ed. Michelle Cotton, Aleksandra Domanoviπ, (Colchester: firstsite, 2014)
Art and the Internet, Ed. Phoebe Stubbs, (London: Black Dog Publishing Ltd., 2014)
12th Lyon Biennale – Meanwhile… Suddently and Then, Ed. Thomas Boutoux, Nicolas Garait, Danielle Kvaran, Gunnar B. Kvaran, and Thierry Raspail, (Dijon: les presses du réel, 2013)
A Different Kind of Order: The ICP Triennial, Ed. Joanna Lehan, Kristen Lubben, Carol Squiers, (New York: Prestel, 2013) Berlin.Status 2, Ed. Sven Drühl, Christoph Tannert, (Berlin: Künstlerhaus Bethanien, 2013)
Higher Atlas: The Marrakech Biennale in Context, Ed. Carson Chan, Nadim Samman, (Berlin: Sternberg Press, 2012)
The Kiev Biennale catalogue, Ed. P. Gielen, A. Spiegl, (2012)
Collect the WWWorld. The Artist as Archivist in the Internet Age, Ed. Domenico Quaranta, Gene McHugh, Joanne McNeil, Josephine Bosma, (LINK
Editions, 2011)
Angelique Campens, Fredi Fischli, Based in Berlin, (Koln: Walther König, 2011)
Markús Þór Andrésson, Christian Skovbjerg Jensen, Theodor Ringborg, Aura Seikkula, Marianne Zamecznik, Momentum READER & Momentum REMINDER, Imagine Being Here Now, (Milan: Mousse publishing, 2011)
Sabine Hochrieser, Michael Kargl, Birgit Rinagl, Franz Thalmair, Content Form Im-material, (Nuernberg: CONT3XT.NET: Verlag für moderne Kunst Nuernberg, 2011)
Free, (New York: The New Museum, 2010)
Free (online catalogue), Lauren Cornell, Brian Droitcour, Caterina Fake, Ceci Moss, Ed Halter, and Joanne McNeil, (http://www.newmuseum.org/free/, 2010)
Translation is a Mode: Übersetzung ist eine Form, CONT3XT.NET, (Niederösterreich: Kunstraum Niederösterreich, 2010)
New Museum of Contemporary Art, NY, Younger Than Jesus Artist Directory: The Essential Handbook to a New Generation of Artists, Ed. Lauren Cornell, Massimiliano Gioni, Laura Hoptman (London, New York: Phaidon, 2009)
Press EN