Thank You 

What an unforgettable evening at IN BETWEEN – Celebrating 25 Years of Priska Pasquer Gallery in collaboration with neuland.ai.

With the inauguration of neuland.ai’s third floor, we launched the company’s first corporate art collection — created to actively nurture the dialogue between art and artificial intelligence. This evening marked not only a celebration of the gallery’s 25th anniversary but also a new chapter where Art Meets AI.

We are deeply grateful to everyone who joined us in Cologne.
A heartfelt thank you to Mischa Kuball, Johanna Reich, Karl-Heinz Land, the neuland.ai team, and all the participating artists for shaping an inspiring night of art, dialogue, and vision for the future.

Danke

Welch ein unvergesslicher Abend bei IN BETWEEN – 25 Jahre Galerie Priska Pasquer, in Zusammenarbeit mit neuland.ai.

Mit der Einweihung des dritten Stockwerks von neuland.ai haben wir die erste firmeneigene Kunstsammlung eröffnet – geschaffen, um den Dialog zwischen Kunst und Künstlicher Intelligenz aktiv zu fördern. Dieser Abend war nicht nur eine Feier des 25-jährigen Jubiläums der Galerie, sondern markierte auch ein neues Kapitel, in dem Art Meets AI.

Wir sind zutiefst dankbar für alle, die mit uns in Köln dabei waren.
Ein herzliches Dankeschön an Mischa Kuball, Johanna Reich, Karl-Heinz Land, das Team von neuland.ai und alle teilnehmenden Künstler:innen, die diesen inspirierenden Abend voller Kunst, Dialog und Zukunftsvision gestaltet haben.

New Spaces on the Rhine for a Dialogue Between Art and AI
 
Cologne, Konrad-Adenauer-Ufer 83. Directly on the Rhine. A new space has opened — and with it, a new field of tension: art and artificial intelligence entering into a dialogue that seems long overdue. Neuland.ai, a Cologne-based AI company, together with Galerie Priska Pasquer, has created a place where the question is not whether technology can replace art, but how it transforms our perception.
 
At the opening, which also marked the 25th anniversary of Galerie Priska Pasquer, works were presented by artists whose names shape the international scene: Aljoscha, Elena Bajo, Banz & Bowinkel, Jane Benson, Zohar Fraiman, Fabian Herkenhoener, Pieter Hugo, Rinko Kawauchi, Mischa Kuball, Karen Lofgren, Radenko Milak, Warren Neidich, Johanna Reich, Tristano di Robilant, Albrecht Schäfer, Charlie Stein, Genaro Strobel, Fiona Valentine Thomann, David Zink Yi, Albert Renger-Patzsch, and August Sander. Yet more important than the list of works was the stance conveyed by the evening: art is not decorative accompaniment to digital innovation, but an independent and critical space of resonance.
 
“Artificial intelligence expands our possibilities of expression, but the creative vision remains profoundly human,” emphasized gallerist Priska Pasquer. Machines can open new perspectives, sort data, generate images, perhaps even surprise us. But art does not live from technology. It lives from meaning, from vision, from the ability to make the invisible visible.
 
In this sense, the evening echoed the reflections of philosopher Markus Gabriel. For him, art is “autonomous” — radically independent of markets, trends, or fashions. Its value is not measured in prices or popularity, but in its structural power: art changes our being, shapes perception, opens spaces in which we can understand the world anew. “That is what makes it radically independent,” writes Gabriel — meaning that art resists total appropriation, even by technology.
 
The true point of this dialogue: the more digital our world becomes, the stronger our longing grows for the analog. The more AI generates images, the more we seek the aura of the original. The more perfectly algorithms reproduce structures, the greater the need for fractures, chance, and the human hand. AI can provide additional tools — new “brushes,” so to speak — but the existential dimension of art remains reserved for humans.
 
“With our art collection, we want to make precisely this dialogue visible,” explains Karl-Heinz Land, founder of neuland.ai. It is a remarkable step for a technology company: the willingness to understand art not as an accessory, but as a critical mirror and partner.
 
Thus, a place has been created on the Rhine that seeks to be more than an office or a gallery. It is a space for thought. A space where art and AI do not compete , but resonate. A space that reminds us that the future is not made of data alone, but of meaning.
 

Dear Friends of the Gallery,

We are delighted to invite you to the final days of our exhibition
IN BETWEEN ONE
Celebrating 25 Years of PRISKA PASQUER Gallery

Finissage – Saturday, June 14, 2025
Join us from 6 pm to 8 pm for an apéritif, finissage, and an artist talk with Warren Neidich.

Extended Opening Hours
Saturday, June 14 | 11 am  – 8 pm
Sunday, June 15 | 2 pm – 7 pm
Monday, June 16 | 2 pm – 8 pm

Special Event – Monday, June 16, 2025 from 6 pm to 8 pm
We are honored to welcome Nicolas Bourriaud and Ingrid Luquet-Gad for a conversation with Warren Neidich as part of the special event featuring the screening of Pizzagate:
From Rumor to Delusion (2019).

We look forward to welcoming you at
PRISKA PASQUER PARIS
6 rue des Coutures Saint-Gervais, 75003 Paris

Special Event 

Nicolas Bourriaud, Ingrid Luquet-Gad, in conversation with Warren Neidich
Screening of Pizzagate: From Rumor to Delusion (2019)

From 6 pm to 8 pm 
Monday, June 16, 2025

PRISKA PASQUER PARIS, 6 rue des Coutures Saint-Gervais, 75003 Paris  
+33 6 26 07 06 61 www.priskapasquer.artinfo@priskapasquer.de

Pizzagate; From Rumor to Delusion is a critical experimental expose. Made in the style of multiple collaged Q’Anon forum posts it describes our post-Truth condition through the Pizzagate Fake News story concocted by the Trump campaign committee in the 2016 American Presidential election cycle. The Pizzagate scandal was a conspiracy theory that went viral in which Hilary Clinton and her associates were accused of running a child sex ring out of the basement of the Comet Ping Pong Pizza Parlor in Washington D.C. As outlandish and hard to believe many people did and was one of the causes of Clinton’s defeat. It also uncovers the reasons for the madness that motivated Edgar Welch to drive his car up from North Carolina, shotgun in hand, to free these girls from their incarceration only to find that no such situation existed. He received a four year jail sentence for his actions.
 
Pizzagate: From Rumor to Delusion was first screened in 2019 as part of Neidich’s installation at the Zuecca Project Space, Venice, Italy during his exhibition in the 2019 Venice Biennial. It was then screened at the Hartware Medienkunstverein followed by a presentation at Priska Pasquer Gallery, Koln in 2019.  It was then screened as part of Rencontres International Film Festival at the Louvre, Paris and Haus de Kulture der Welt in 2020.
 

Nicolas Bourriaud is a curator and writer. He was artistic director of the Gwangju Biennale and funded Radicants, a curatorial cooperative producing exhibitions worldwide. He was founder and codirector of the Palais de Tokyo, Paris, (1999-2006) and Tate Britain in London (2007-2010). His theoretical publications include Relational Aesthetics (1998), Postproduction (2002), Radicant (2009), The Exform (2015) and Inclusions. Aesthetics of the Capitalocene (2021).

IN BETWEEN ONE

Celebrating 25 Years of Priska Pasquer Gallery
 

Aljoscha     Elena Bajo    Banz & Bowinkel    Jane Benson    Zohar Fraiman   

Fabian Herkenhoener    Pieter Hugo    Rinko Kawauchi    Mischa Kuball

Karen Lofgren    Radenko Milak    Warren Neidich    Johanna Reich 

Tristano di Robilant     Francois Ronsiaux     Albrecht  Schäfer   

Esther Shalev-Gerz    Charlie Stein    Genaro Strobel   

Fiona Valentine Thomann   David Zink Yi

in dialogue with

Pablo Picasso    Elizaveta Svilova-Vertova     Paul Delvaux    Serge Poliakoff     

Emil Nolde    Albert Renger-Patzsch    Alexander Rodchenko    August Sander 

and other modern masters
 

Exhibition until June 17, 2025

PRISKA PASQUER PARIS, 6 rue des Coutures Saint-Gervais, 75003 Paris  

+33 6 26 07 06 61 www.priskapasquer.artinfo@priskapasquer.de

FUTURE TALKS

Saturday, May 31, 2025


5 pm
Impact and Power of Art
Priska Pasquer in dialogue with artist Mischa Kuball 


6 pm
Artificial Intelligence and Ethics
Karl-Heinz Land in dialog with Tariq Krim 


PRISKA PASQUER PARIS, 6 rue des Coutures Saint-Gervais, 75003 Paris  
+33 6 26 07 06 61 www.priskapasquer.artinfo@priskapasquer.de

Following our successful Timeless Innovation – Innovation Intemporelle exhibition last year next to the Picasso Museum—where we highlighted the groundbreaking work of Pablo Picasso in dialogue with contemporary artists—Ute Eggeling, Michael Beck, and Priska Pasquer are pleased to announce their participation in Art Paris 2025 in the Grand Palais from April 2 – 6, 2025. 

We will be presenting a selection of works by Picasso, Miró, Ernst, Giacometti, Calder, and others in dialogue with Radenko Milak.

We look forward to welcoming you at ART PARIS 2025!

ART PARIS 2025

Booth D 6

April 2 – 6, 2025


VIP preview
 Wednesday, April 2, 2025 from 11 am to 9 pm

VIP daily preview
from Thursday, April 3, 2025 to Sunday, April 6, 2025 from 10 am to 12 pm 

Public Opening Hours
Thursday, April 3, 2025 from 12 pm to 8 pm
Friday, April 4, 2025 from 12 pm to 9 pm
Saturday, April 5, 2025 from 12 pm to 8 pm
Sunday, April 6, 2025 from 12 pm to 7pm

7 avenue Winston Churchill, 75008 Paris

Grand Palais