Christian D. Stefanovici, Backpiece Anthem, 2017, mixed media on canvas, bone glue, pigment, acrylic, oil, 130×100 cm, courtesy PRISKA PASQUER, Cologne
CHRISTIAN D. STEFANOVICI Haschen nach Wind Malerei
12. Dez. 2020 – ________ 2021
Eröffnung Samstag, 12. Dez. 2020, von 11 bis 21 Uhr Suntag, 13. Dez. 2020, von 11 bis 16 Uhr
Aufgrund des bestehenden Lockdowns ist die Galerie PRISKA PASQUER mindestens bis zum 31.01.2021 geschlossen. In der Zwischenzeit arbeiten wir von zu Hause aus und beantworten gerne alle Anfragen per E-Mail an info@priskapasquer.de oder telefonisch unter +49 221 9526313
*Click & Pick-Service in der Galerie PRISKA PASQUER samstags von 11 bis 16 Uhr nach Vereinbarung.
CHRISTIAN D. STEFANOVICI Haschen nach Wind Malerei
Dec. 12, 2020 – ________ 2021
Opening Saturday, Dec. 12, 2020, from 11 am to 9 pm Sunday, Dec. 13, 2020, from 11 am to 4 pm
Due to the current lockdown, Gallery PRISKA PASQUER will be closed at least until January 31, 2021. In the meantime, we will work from home and will be pleased to answer any inquiries by email at info@priskapasquer.de or by phone +49 221 9526313
*Click & Pick service at gallery PRISKA PASQUER on Saturdays from 11 am to 4 pm by appointment.
For The 40th Anniversary Issue of i-D, acclaimed South African photographer Pieter Hugo is our Artist in Residence.
For the past seven months, the photographer Pieter Hugo and his family – wife Tamsyn and children Jacob and Sofia – have lived in a quiet secluded village along the South Africancoast. Adopting one of the earliest and strictest lockdowns in the world, since March the president of South Africa has entirely shut down the country’s borders, prohibited the sale of alcohol and also imposed a strict night curfew throughout much of this period.
But for this issue of i-D, Pieter is confronting birth – even with the constant looming presence of death in 2020. “The first thing I concerned myself with was the wellbeing of my family, so making work – well, my head just wasn’t in the right place.” As time went by, he began to find himself “unfrozen from the paralysis” and, between homeschooling classes, he and his two children began working on a story together. “I actually had a conversation with my family about the idea and chatted to my kids about it first,” he says. “I don’t photograph my wife very much, she doesn’t enjoy being photographed so I respect that. And I’m very conscious of not shoving a camera in my kids’ faces all the time, because I don’t want them to become resistant to being photographed by me. I don’t want making pictures to become a power struggle.”
https://priskapasquer.art/wp-content/themes/priskapasquer/img/logo.svg00Maria Gomeshttps://priskapasquer.art/wp-content/themes/priskapasquer/img/logo.svgMaria Gomes2020-11-20 11:19:492020-11-20 12:44:06Pieter Hugo in i-D
https://priskapasquer.art/wp-content/themes/priskapasquer/img/logo.svg00Maria Gomeshttps://priskapasquer.art/wp-content/themes/priskapasquer/img/logo.svgMaria Gomes2020-10-21 10:55:262020-10-21 11:06:29ULRIKE ROSENBACH – IN ALLER MUNDE at Kunstmuseum Wolfsburg
Radenko Milak, Anthropocene Microplastics in polluted water view trough electron microscope, 2020, watercolor, 251×185 cm, courtesy PRISKA PASQUER, Cologne
Radenko Milak, Anthropocene Microplastics in polluted water view trough electron microscope, 2020, watercolor, 251×185 cm, courtesy PRISKA PASQUER, Cologne
Deceptive Images Playing with Painting and Photography
October 31, 2020 – February 28, 2021
Marta Herford Museum for Art, Architecture, Design
Goebenstraße 2–10 32052 Herford, Germany Tel +49.5221.9944300
Opening Hours Tue to Thu: 11.00 – 18.00 Fr: 11.00 – 20.00 Sa, Sun and public holidays: 11.00 – 18.00
https://priskapasquer.art/wp-content/themes/priskapasquer/img/logo.svg00Maria Gomeshttps://priskapasquer.art/wp-content/themes/priskapasquer/img/logo.svgMaria Gomes2020-10-21 10:26:592020-10-21 10:51:13RADENKO MILAK in Deceptive Images – Playing with Painting and Photography at Marta Herford
https://priskapasquer.art/wp-content/themes/priskapasquer/img/logo.svg00Maria Gomeshttps://priskapasquer.art/wp-content/themes/priskapasquer/img/logo.svgMaria Gomes2020-10-02 17:41:322020-10-08 14:44:20JOHANNA REICH in MADE IN DÜSSELDORF at NRW-Forum, Düsseldorf
https://priskapasquer.art/wp-content/themes/priskapasquer/img/logo.svg00Maria Gomeshttps://priskapasquer.art/wp-content/themes/priskapasquer/img/logo.svgMaria Gomes2020-09-09 13:58:352020-10-13 15:23:52RADENKO MILAK - DISASTER OF THE UNSEEN at the Museum of Contemporary Art, Zagreb
Radenko Milak, Anthropocene, Microplastics in polluted water, view through electron microscope, 2020, watercolor, 252×185 cm, courtesy PRISKA PASQUER, Cologne
RADENKO MILAK 2020 All Over The World Watercolors
3. Sept. 2020 – 7. Nov. 2020
Eröffnung Donnerstag, 3. Sept. 2020, von 11 bis 18 Uhr Freitag, 4. Sept. 2020, von 11 bis 22 Uhr
neue Adresse ab September 2020: PRISKA PASQUER, GALLERY / C_ROOM 2, Konrad-Adenauer-Ufer 83 50668 Köln
RADENKO MILAK 2020 All Over The World Watercolors
Sept. 3, 2020 – Nov. 7, 2020
Opening Thursday, Sept. 3, 2020, from 11 am to 6 pm Friday, Sept. 4, 2020, from 11 am to 10 pm
“DC Open” Friday, Sept. 4, 2020, 11 am – 10 pm Saturday, Sept. 5, 2020, 11 am – 8 pm Sunday, Sept. 6, 2020, 11 am – 6 pm
New address from September 2020 on: PRISKA PASQUER, GALLERY / C_ROOM 2, Konrad-Adenauer-Ufer 83 50668 Cologne
https://priskapasquer.art/wp-content/themes/priskapasquer/img/logo.svg00Maria Gomeshttps://priskapasquer.art/wp-content/themes/priskapasquer/img/logo.svgMaria Gomes2020-08-04 16:55:062020-09-03 13:26:47RADENKO MILAK 2020 All Over The World. Watercolors
https://priskapasquer.art/wp-content/themes/priskapasquer/img/logo.svg00Maria Gomeshttps://priskapasquer.art/wp-content/themes/priskapasquer/img/logo.svgMaria Gomes2020-06-26 12:17:172020-06-26 12:51:51OUR DUTY IS TO EXPERIMENT 20 years Galerie PRISKA PASQUER
Sie sind herzlich eingeladen zur Vernissage der Ausstellung
FABIAN HERKENHOENER Notes on a post-order of things
Eröffnung Donnerstag, 28. Mai 2020 & Freitag, 29. Mai 2020, von 11 bis 18 Uhr
28. Mai 2020 – 27. Juni 2020
FABIAN HERKENHOENER
Notes on a post-order of things
‘Was also ist der Organismus in der Welt, wenn nicht der unbedachte Flug eines Möglichen in das Herz des Unmöglichen, das ihn umgibt’
(George Bataille, Der Übervölkerte Planet, aus: Das Unfertige System des Nichtwissens)
‘Ich nähere mich diesen Leinwänden wie Notizen, halte sie in einem skizzenhaften und unvollständigem Zustand. Sie geben einer rudimentären Erscheinung der Dinge Form, und eine Struktur, die Gedankenprozesse markiert oder aufzeichnet.
Ich habe mit dieser Reihe von Bildern letztes Jahr begonnen, damals als eine Untersuchung des von der Norm Abweichenden, von Grenzerfahrungen und -Überschreitungen, ein anthropologischer Ansatz zu einer aus den Fugen geratenen Welt. Ein imaginatives Zu-Ende-Denken der Dinge als fiktive Repräsentation einer Anders-, Nach- oder Vorzeitlichkeit.
Mittlerweile ist die affirmative Handlung der poetischen Imagination ein Mittel zum Erlangen von Resilienz im Angesicht der realen Umstände geworden. Ich suche nach einer Möglichkeit bestimmte Ideen und Denkweisen zu überwinden, das Ersticken des Denkens in der alltäglichen Semantik einer konventionalistischen Klassifizierung. Ich denke solange Poesie möglich ist – als das Sehnen nach dem Unmöglichen – kann eine Art von Hoffnung möglich sein. Ich sehe Kunst als ein Mittel der Realität, in dem sie über sich selbst bewusst wird.’
Fabian Herkenhoener, Mai 2020
You are cordially invited to the opening of the exhibition
FABIAN HERKENHOENER Notes on a post-order of things
Opening Thursday, May 28, 2020 & Friday, May 29, 2020, from 11 am to 6 pm
May 28, 2020 – June 27, 2020
FABIAN HERKENHOENER
Notes on a post-order of things
‘What therefore is the organism in the world, if not the unconsidered flight of a possible into the heart of the impossible that surrounds it?‘
(George Bataille, The Congested Planet, from: The Unfinished System of Nonknowledge)
‘I approach these canvases as notes, keeping them sketch-like and incomplete. They give form to a state of the rudimentary appearances of things and a structure that marks thought processes.
I started this line of paintings last year, back then as a survey on what deviates from the norm, of border experiences and border transgressions, an anthropological approach to a world gone off rail. An imaginative thinking of things to its end; as a fictional representation of an alternative, post- or pre-temporaneity.
Now, the affirmative action of the poetic imagination has become a means of achieving resilience towards real circumstances. I am looking for a way to overcome certain ideas and ways of thinking that tend to suffocate in a type of everyday semantics of conventionalist classification. I think that as long as poetry is possible – as the longing for the impossible – a kind of hope can be possible. I see art as a means of reality to gain consciousness about itself.’
https://priskapasquer.art/wp-content/themes/priskapasquer/img/logo.svg00Maria Gomeshttps://priskapasquer.art/wp-content/themes/priskapasquer/img/logo.svgMaria Gomes2020-05-20 17:55:342020-06-26 12:52:36FABIAN HERKENHOENER Notes on a post-order of things Vernissage
