FABIAN HERKENHOENER Notes on a post-order of things Vernissage

Fabian Herkenhoener, Bygone, 2020, dust, graphite, acrylic binder, acrylics, pencil, spray paint on canvas, 200 x 150 cm ©Gert Jan van Rooij, courtesy PRISKA PASQUER, Cologne

Sie sind herzlich eingeladen zur Vernissage der Ausstellung

Notes on a post-order of things

Donnerstag, 28. Mai 2020 & Freitag, 29. Mai 2020, von 11 bis 18 Uhr

28. Mai 2020 – 27. Juni 2020


Notes on a post-order of things

‘Was also ist der Organismus in der Welt, wenn nicht der unbedachte Flug eines Möglichen in das Herz des Unmöglichen, das ihn umgibt’ 

(George Bataille, Der Übervölkerte Planet, aus: Das Unfertige System des Nichtwissens)

‘Ich nähere mich diesen Leinwänden wie Notizen, halte sie in einem skizzenhaften und unvollständigem Zustand. Sie geben einer rudimentären Erscheinung der Dinge Form, und eine Struktur, die Gedankenprozesse markiert oder aufzeichnet. 

Ich  habe mit dieser Reihe von Bildern letztes Jahr begonnen, damals als eine Untersuchung des von der Norm Abweichenden, von Grenzerfahrungen und -Überschreitungen, ein anthropologischer Ansatz zu einer aus den Fugen geratenen Welt. Ein imaginatives Zu-Ende-Denken der Dinge als fiktive Repräsentation einer Anders-, Nach- oder Vorzeitlichkeit.

Mittlerweile ist die affirmative Handlung der poetischen Imagination ein Mittel zum Erlangen von Resilienz im Angesicht der realen Umstände geworden.  Ich suche nach einer Möglichkeit bestimmte Ideen und Denkweisen zu überwinden, das Ersticken des Denkens in der alltäglichen Semantik einer konventionalistischen Klassifizierung. Ich denke solange Poesie möglich ist – als das Sehnen nach dem Unmöglichen – kann eine Art von Hoffnung möglich sein. Ich sehe Kunst als ein Mittel der Realität, in dem sie über sich selbst bewusst wird.’

Fabian Herkenhoener, Mai 2020

You are cordially invited to the opening of the exhibition

Notes on a post-order of things

Thursday, May 28, 2020 & Friday, May 29, 2020, from 11 am to 6 pm

May 28, 2020 – June 27, 2020


Notes on a post-order of things

‘What therefore is the organism in the world, if not the unconsidered flight of a possible into the heart of the impossible that surrounds it?‘ 

(George Bataille, The Congested Planet, from: The Unfinished System of Nonknowledge)

‘I approach these canvases as notes, keeping them sketch-like and incomplete. They give form to a state of the rudimentary appearances of things and a structure that marks thought processes.

I started this line of paintings last year, back then as a survey on what deviates from the norm, of border experiences and border transgressions, an anthropological approach to a world gone off rail. An imaginative thinking of things to its end; as a fictional representation of an alternative, post- or pre-temporaneity.

Now, the affirmative action of the poetic imagination has become a means of achieving resilience towards real circumstances. I am looking for a way to overcome certain ideas and ways of thinking that tend to suffocate in a type of everyday semantics of conventionalist classification. I think that as long as poetry is possible – as the longing for the impossible – a kind of hope can be possible. I see art as a means of reality to gain consciousness about itself.’

Fabian Herkenhoener, May 2020

PRISKA PASQUER, Albertusstr. 18, 50667 Cologne, Germany

Johanna Reich in SUBJECT and OBJECT. PHOTO RHINE RUHR at Kunsthalle Düsseldorf


March 21 – June 14, 2020

Opening on Friday, March 20, 2020, 7 pm

Curated by Ralph Goertz with Gregor Jansen and Dana Bergmann

Kunsthalle Düsseldorf, Grabbeplatz 4, 40213 Düsseldorf

Kunsthalle Düsseldorf
Grabbeplatz 4
40213 Düsseldorf
+49 (0)211 89 962 43

Opening Hours
Tue–Sun 11am-18pm
Holidays 11am-18pm

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with Julia Scher, Freddy Paul Grunert and Warren Neidich
Thursday, March 12, 2020 at 5 pm (MET)

We will be live streaming the talk on the channels listed below. 
Questions and comments are welcome. Please join us!

twitch: https://www.twitch.tv/priskapasquer
YouTube: https://bit.ly/39uWKoU
Facebook: https://www.facebook.com/priskapasquercologne

Warren Neidich in SOMETHING BETWEEN US at KAI 10

March 6 – May 31, 2020
Opening on Thursday, March 5, 2020, at 7 pm
Curators: Ludwig Seyfarth, Harriet Zilch
KAI 10 | Arthena Foundation, Kaistraße 10, 40221 Düsseldorf, Germany
The exhibition will travel to Kunsthalle Nürnberg (June 19 – September 13, 2020)

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Warren Neidich in the framework Rencontres Internationales Paris/Berlin

The premier of Pizzagate – From Rumor to Delusion will be held on Sunday, March 1, 2020, at 6 pm
Louvre Auditorium Rue de Rivoli – 75001 Paris

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The Guardian | The big picture: Pieter Hugo turns his camera on Mexico

The extraordinary and the everyday jostle for attention in the South African photographer’s examination of Mexican

The Wedding Gift, Juchitán de Zaragoza, 2018 by Pieter Hugo. Photograph: Pieter Hugo

By Sean O´Hagan

Sun 2 Feb 2020

Pieter Hugo’s new series, La Cucaracha (The Cockroach), named after a traditional song made popular during the Mexican revolution, grew out of a visit to the country in 2018. He was invited there by a curator whose stipulation was that he make work on the theme of sex and mortality.

“Mexico’s anarchic, visceral energy got under my skin and sucked me in,” he recalls. “There is an acceptance that life has no glorious victory, no happy ending. Humour, ritual, a strong sense of community and an embrace of the inevitable make it possible to live with tragic and often unacceptable situations.”

Hugo’s approach shifted accordingly to reflect the flamboyance and gritty ordinariness of life there, his images filled with vibrant colours and often mysterious symbolism. This portrait is a case in point. Entitled The Wedding Gift, it shows a young bride in Juchitán de Zaragoza cradling an iguana, a creature considered a symbol of patience, understanding and kindness in Mexico. Conversely, the elaborately competitive mating rituals performed by the male of the species – head-bobbing, nudging, biting and even changing colour – have been mimicked in local song and dance, including a famous traditional ballet, La Iguana de Guerrero.

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Vernissage On Equal Terms II

David Zink Yi, Rechts, Links, Vorne, Hinten, 2018 

Sie sind herzlich eingeladen zur Vernissage der Ausstellung


Charlotte Triebus, Astrid Klein und Rudolf Bonvie,
Albrecht Schäfer, Warren Neidich, David Zink Yi, 
Johanna Reich, Radenko Milak, Mirjam Baker

Freitag, 7. Februar, 2020, 18 – 21 Uhr

You are cordially invited to the Vernissage of the exhibition


Charlotte Triebus, Astrid Klein und Rudolf Bonvie,        
Albrecht Schäfer, Warren Neidich, David Zink Yi, 
Johanna Reich, Radenko Milak, Mirjam Baker

Friday, February 7, 2020, 6 pm – 9 pm

PRISKA PASQUER, Albertusstr. 18, 50667 Cologne, Germany

Johanna Reich – ALL THE WORLD´S A FRAME at Kunstverein Leverkusen Schloss Morsbroich e.V.


Eröffnung: Donnerstag, 23. Januar 2020 um 19.30 Uhr

Vera Pues, Stiftung Kunst, Kultur und Soziales der Sparda-Bank West
Ingrid Müller-Ost, Vorsitzende Kunstverein Leverkusen
Susanne Wedewer-Pampus, Kuratorin
Einführung: Susanne Wedewer-Pampus

26. Januar – 1. März 2020

Kunstverein Leverkusen Schloß Morsbroich e.V.
Gustav-Heinemann-Straße 80
51377 Leverkusen

Fr 13-17 Uhr, Sa+So 11-17 Uhr
und nach Vereinbarung unter: 0160 – 553 22 25
Achtung: über Karneval geschlossen!

Sparda-Tag am 1. März 2020: 11 Uhr Gespräch mit Johanna Reich

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Pieter Hugo in New York Times

‘I’m Finished When I Start Looking at the World in a Different Way’

The photographer Pieter Hugo, who has captured scenes from Nigeria to Mexico, takes T inside his studio.

The artist Pieter Hugo, photographed in his studio in Cape Town, South Africa, alongside a human anatomy model. Credit Stephanie Veldman

By Osman Can Yerebakan

Jan. 9, 2020

In 2018, the curator Francisco Berzunza invited the South African artist Pieter Hugo to Mexico to create a body of work that would engage with themes of sexuality and death for an exhibition at the Centro Fotográfico Manuel Álvarez Bravo. During his monthlong stay, Hugo searched for a response to this prompt, and inspiration came when he chanced upon a platter of desiccated fruits in Oaxaca. “Making Pigments. San Agustin Etla” (2018), which shows a spread of dying crops in bold hues, was the first image Hugo captured in Mexico. But “something shifted” during that first visit, Hugo says. “I don’t know why, but I’m not done here,” he remembers thinking; he has since visited Mexico four more times, traveling between the bustling border city of Tijuana in the north, the colonial town of San Cristóbal de las Casas in the Central Highlands and the indigenous Zapotec town of Juchitán in the southern state of Oaxaca. “From the Day of the Dead to narco-politics, death is strongly felt there,” he says of the country, but it was its people’s day-to-day understanding of life’s fragility that inspired his new photography series, “La Cucaracha,” which will go on display at Yossi Milo Gallery in New York this month. Hugo named the series after the popular folk song about an injured cockroach whose lyrics are often rewritten in Mexico as political satire.

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Julia König – Looking At The Sun Is A Little Harder On The Eyes

On Equal Terms I, Jane Benson, Julia König und Hanno Otten, exhibition view, courtesy PRISKA PASQUER, Cologne


 Freitag, den 31. Januar 2020, um 19 Uhr

Julia König – Looking At The Sun Is A Little Harder On The Eyes

PRISKA PASQUER, Albertusstr. 18, 50667 Cologne, Germany