Link to enter Zoom Conference

https://us02web.zoom.us/j/86297105535pwd=dDB5OUFYWnVJYUd0T1l1SWN6K1QyQT09

ONE TO ONE

Presenting the exhibition series with four peer to space curators

TINA SAUERLAENDER
PEGGY SCHOENEGGE
GLORIA AINO GRZYWATZ
MARA-JOHANNA KÖLMEL

KATJA HUPATZ
PRISKA PASQUER

Wednesday  3.03.2021  at 5 pm CET
Zoom conference in English

Link to enter Zoom Conference
https://us02web.zoom.us/j/86297105535pwd=dDB5OUFYWnVJYUd0T1l1SWN6K1QyQT09

Meeting- ID 862 9710 5535
Kenncode 4HuxJY

VIRTUAL OPENING
10.02.2021
7 – 9 PM CET

Grand Opening of the PRISKA PASQUER Virtual Gallery 
Space on February 10, 2021 in Mozilla Hubs and the Exhibition Series ONE TO ONE – one Curator meets one Artist – with the Exhibition

LIGHT SHINES THROUGH THE CURTAINS OF TIME

ORNELLA FIERES
ARTIST

TINA SAUERLAENDER
CURATOR

Link to enter Virtual Exhibition

https://hubs.mozilla.com/2ZBNWda/PRISKA_PASQUER_Virtual_Gallery/

Pieter Hugo photographs his two children in lockdown

THE 40TH ANNIVERSARY ISSUE|By Ryan White|11 November 2020, 4:00pm

For The 40th Anniversary Issue of i-D, acclaimed South African photographer Pieter Hugo is our Artist in Residence.

For the past seven months, the photographer Pieter Hugo and his family – wife Tamsyn and children Jacob and Sofia – have lived in a quiet secluded village along the South Africancoast. Adopting one of the earliest and strictest lockdowns in the world, since March the president of South Africa has entirely shut down the country’s borders, prohibited the sale of alcohol and also imposed a strict night curfew throughout much of this period. 

But for this issue of i-D, Pieter is confronting birth – even with the constant looming presence of death in 2020. “The first thing I concerned myself with was the wellbeing of my family, so making work – well, my head just wasn’t in the right place.” As time went by, he began to find himself “unfrozen from the paralysis” and, between homeschooling classes, he and his two children began working on a story together. “I actually had a conversation with my family about the idea and chatted to my kids about it first,” he says. “I don’t photograph my wife very much, she doesn’t enjoy being photographed so I respect that. And I’m very conscious of not shoving a camera in my kids’ faces all the time, because I don’t want them to become resistant to being photographed by me. I don’t want making pictures to become a power struggle.” 

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Radenko Milak, Anthropocene Microplastics in polluted water view trough electron microscope, 2020, watercolor, 251×185 cm, courtesy PRISKA PASQUER, Cologne

Deceptive Images
Playing with Painting and Photography

October 31, 2020 – February 28, 2021

Marta Herford 
Museum for Art, Architecture, Design

Goebenstraße 2–10
32052 Herford, Germany
Tel +49.5221.9944300

Opening Hours
Tue to Thu: 11.00 – 18.00 
Fr: 11.00 – 20.00
Sa, Sun and public holidays: 11.00 – 18.00

Click here for more information

 RADENKO MILAK – DISASTER OF THE UNSEEN

October 15 – November 29, 2020

Curated by Tihomir Milovac

AVENIJA DUBROVNIK 17, 10000 ZAGREB, CROATIA

Muzej Suvremene Umjetnosti Zagreb
Avenija Dubrovnik 17
10000 Zagreb, Croatia
+385 1 60 52 700

Opening Hours
Tue–Fri 11 am – 6 pm
Sa 11 am – 8 pm

Click here for more information