WOMAN, The Feminist Avant-Garde of the 1970s. Works from the SAMMLUNG VERBUND Collection, Vienna. – Opening on Friday, June 15, from 6 pm, at Stavanger Art Museum

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WOMAN, The Feminist Avant-Garde of the 1970s. Works from the SAMMLUNG VERBUND Collection, Vienna

Opening on Friday, June 15, 2018, from 6 pm
at Stavanger Art Museum, Henrik Ibsens gate 55, 4021 Stavanger, Norway

The exhibition will be opened by Gabriele Schor, Director of The SAMMLUNG VERBUND Collection, Vienna.

Last day of the exhibition is on Sunday, October 14, 2018.

 

Ulrike Rosenbach, Art is a Crimial Action, 1969-1970, Copyright Ulrike Rosenbach/Bildrecht, Wien, 2015

 

For more information about the exhibition click here

Conversation(s) with Noise – Sunday, April 22, between 9 am and 1 pm, at PRISKA PASQUER, Albertusstr. 18, 50667 Cologne

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CONVERSATION(S) WITH NOISE

„How can a musician have a conversation with a noisy machine?
And what are the socialpolitical consequences of such a conversation?“

Sunday, April 22, 2018, between 9 am and 1 pm
at PRISKA PASQUER, Albertusstr. 18, 50667 Cologne

Noise Performance accompanied by an energizing and healthy breakfast brunch with the Artist Warren Neidich and the Musicians Augustin Maurs, Annegret Mayer-Lindenberg, Carter Williams, Edith Steyer, Frank Gratkowski, Irene Kurka and Marlies Debacker.

 

Warren Neidich, The Infinite Replay of One’s Own Self Destruction #1, 2014, noise installation, approx. 160 x 99 x 57 cm, courtesy PRISKA PASQUER, Cologne

 

For more information about the performance and the performers click here

 

Performance on Sunday, April 22, from 9 am – 1 pm and ART COLOGNE 2018 – Hall 11.2, Booth B-038 

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Dear friends of the gallery, we would like to draw your attention to a special event during ART COLOGNE 2018 on Sunday morning, April 22, from 9 am to 1 pm in our space. In the exhibition Neuromacht – Noise and the Possibility of a Future, we will have a special Noise Performance: Conversation’s with Noise, with the Artist Warren Neidich and the Musicians Irene Kurka, Annegret Mayer-Lindenberg, Lucia Mense, Augustin Maurs, Carter Williams, Edith Steyer, Frank Gratkowski and Eutália de Carvalho. This performance will be accompanied by an energizing and healthy breakfast brunch. We hope to welcome you all to this extraordinary event!

 

ART COLOGNE 2018
PRISKA PASQUER, Hall 11.2 / Booth B-038
Koelnmesse GmbH, Messeplatz 1, 50679 Cologne

ULRIKE ROSENBACH
JOHANNA REICH
WARREN NEIDICH
PIETER HUGO
HANNO OTTEN
RADENKO MILAK
TISTANO DI ROBILANT

and from our Virtual Reality exhibition RESET III

THE SWAN COLLECTIVE (FELIX KRAUS)
FIONA VALENTINE THOMANN

 

Wednesday, April 18, 2018
Preview – 12 pm, by invitation only
Opening – 4 pm, by invitation only

Thursday, April 19, 2018 – Sunday, April 22, 2018
everyday – 11 am – 7 pm
April 22, 11 am – 6 pm

 

DURING ART COLOGNE 2018 IN THE GALLERY
Albertusstr. 18, 50667 Cologne

Open everyday from 10 – 12 am
PRISKA PASQUER open for visitors

Thursday, April 19, 2018
Extended opening hours

Sunday, April 22, 2018, 9 am-1 pm
Noise Performance with energizing and healthy breakfast brunch at the gallery space

 

Warren Neidich, Frederic Edwin Church, 1866, (After Rainy Season in the Tropics), 2016, acrylic paint on canvas with black velvet, 130 x 160 cm, courtesy PRISKA PASQUER, Cologne, in MONOPOL 04/2018

Ulrike Rosenbach, Spiegeleisturm, 1994, video sculpture, 167 x 235 cm courtesy PRISKA PASQUER, Cologne

Johanna Reich, SIMULACRUM IN MY HANDS, 2018, video hologram, courtesy PRISKA PASQUER, Cologne

Review on Johanna Reich’ exhibitions DIE GESTOHLENE WELT at Max Ernst Museum LVR, and SIMULACRUM at the gallery PRISKA PASQUER – KUNSFORUM International Bd. 253 Apr – May 2018 

Hanno Otten, Schlacht 8, 2015, acrylic, tesa on canvas, 230 x 700 cm, courtesy PRISKA PASQUER, Cologne

Pieter Hugo, Miss Esine Okudzeto, Associate, Ghana, 2005, from the Series Barristers & Solicitors of the Supreme Court of Ghana, c-print, 82 x 82 cm / 98 x 98 cm, courtesy PRISKA PASQUER, Cologne

Radenko Milak, The Digital Mirror is not the Territory, from the Series University of Disaster, 2018, work on paper, watercolor mounted on Dibond, 200 x 140 cm, courtesy PRISKA PASQUER, Cologne